Cole Clark

AN2 EC SSO Silver (Silky) Oak isn't actually an Oak, in facts it's closer to the sycamore family. Don't let the colour lure you into thinking this is a cold sounding guitar however as the Silky Oak has excellent bass/mid/treble balance and a very transparent midrange register.  The overall sound seems to have a less aggressive edge with a few more delicate nuances than normally used woods. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".

AN2 EC RDBL Redwood is an extremely high quality guitar wood which you could characterize the tone of as being crisper than cedar while retaining all the rich, complex overtones of cedar has to offer. The Cole Clark AN2 EC RDBL also features all solid Australian Blackwood back and sides, grand auditorium body shape, She Oak fingerboard and then we have Cole Clark's new PG3 pick up system. The approach is quite simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. Additionally the FC button allows players to switch between the previous iteration of the system or to take advantage of the PG3's upgrades.

AN2 EC-BB Blackwood is the most sturdy timber Cole Clark uses, therefore it is a pretty popular wood choice among percussive style guitar players. The Cole Clark AN2 EC-BB features all solid Australian Blackwood back, sides, with a Bunya Top in this grand auditorium body shape. Bunya topped guitars characteristically have a direct, strong sounding instruments with more midrange compared to spruce guitars.And then we have the icing on the acoustic cake, Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. Additionally the FC button allows players to switch between the previous iteration of the system or to take advantage of the PG3's upgrades.

AN3 EC BLBL AE The Cole Clark AN3EC-BLBL proved itself to be a clear and open sounding guitar. The all solid AAA Blackwood back, sides & top combination is not only beautiful but also delivers a well defined and accurate tone. Adding to the beauty the AN3 range wears some extra special visual adornments as subtly placed abalone inlays make this guitar stand out among its contemporaries. The Angel body size is essentially a grand auditorium size and therefore fits any kind of playing style. The 1.73" / 44mm nut is comfortable for both open chords and more complicated chord arrangements. Important to mention that Cole Clark recommends not to play percussive pieces on the AN2EC-RDBL due to the sensitivity of the top. Then we have the icing on the acoustic cake, Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.Different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.A Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs.The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. 

An All Australian woods stunner. No need in describing it. The Cole Clark FL2EC-RDBL is a great looking guitar! The Australian grown American Redwood top is simply beautiful and goes so well with the Australian Blackwood body. All woods are solid, needless to say. But looks is not the only thing you will get from the Cole Clark's Fat Lady 2 EC-RDBL, the sound it projects is well defined and balanced, making it one of Cole Clark's most selling instrument. Important to mention that Cole Clark recommends not to play percussive pieces on the FL2EC-RDBL due to the sensitivity of the top. For the pickup players in the crowd, this model comes with Cole Clark's Analogue 3-way system so you are all set to take the stage and enjoy a superb amplified sound.

The guitar you need when going percussive style! Blackwood is the most sturdy timber Cole Clark uses, therefore it is a pretty popular wood choice among percussive style guitar players. The Cole Clark AN2EC-BLBL features all solid Australian Blackwood back, sides and top, grand auditorium body shape, She Oak fingerboard and the infamous Cole Clark 3-way pickup system. Actually, the majority of sold Cole Clark guitars feature Blackwood body, therefore the AN2EC-BLBL delivers a classic Cole Clark sound, good punch on the mid and low ranges, open highs and great sound when going amplified. But watch out - due to its characteristics, Blackwood may sound a little too bright at the beginning of its life as it needs to be played and opened up.

Great value for an all solid Cole Clark guitar with a superb pickup system. There, we said it! The Cole Clark AN1E-BM is just great when it comes to delivering great tone for your money. It is an all solid guitar for starters, it has Queensland Maple body and Bunya top, both grown in Australia and yield to an open sounding guitar with lots of sparkle. If you really love low end then we recommend checking out other Cole Clark guitars, however, if you are in the market for a fabulous finger picking/strumming guitar that shines, this might be the perfect guitar for you. The Angel 1 E Bunya/Maple has Cole Clark's 3-way pickup system which is considered as one of the best acoustic guitar amplification systems out there, and for that price range it is no wonder the Cole Clark AN1E-BM is such hot commodity.

An evolving sound. Australian Blackwood makes for a striking looking guitar, add to this the subtly tasteful abalone inlays on the body & fingerboard then you have something extra special. Combined with the detailed sound of the Cole Clark FL3EC-BLBL you get an awesome looking and sounding guitar. Australian Blackwood start it's life bright sounding but the more you play, the more defined the mid and low ranges begin to surface. The presence of this guitar is simply beautiful, it’s great for percussive style and fingerpicking, you and your audience will hear every detail in your music all the way up the neck thanks to the access from the cutaway. Speaking of audience, the FL3EC-BLBL is equipped with Cole Clark's 3-way pickup system, so on stage or in the studio, you are guaranteed to have a quality amplified sound. Available in both left and right handed models this guitar is something for everyone of us.

Little and loud. The Little Lady 2 has a small but deep body which maintains some of the lows expected in larger bodies. Using only sustainable woods which maintain the tones we desire while staying environmentally friendly, Cole Clark guitars tick all boxes. Australian Blackwood resembles Koa and much like the Koa, Blackwood tends to start it's life bright sounding but the more you play it, the more defined mid and low ranges begin to surface. The LL2 E BLBL  is equipped with Cole Clark's 3-way pickup system, so on stage or in the studio, you are guaranteed to have a quality amplified sound. Each mic focuses on different frequencies this allows you to dial in any room and playing style to the PA. Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. Additionally the FC button allows players to switch between the previous iteration of the system or to take advantage of the PG3's upgrades.

FL3 EC RDBL AE Redwood is an extremely high quality guitar wood which you could characterize the tone of as being crisper than cedar while retaining all the rich, complex overtones of cedar has to offer. The Cole Clark FL3 EC RDBL AE also features all solid Australian Blackwood back and sides, grand auditorium body shape, She Oak fingerboard and then we have Cole Clark's new PG3 pick up system. This Dreadnaught sized beauty matches Cole Clark's 3 series styling with stylised abalone inlays throughout the entire guitar including the sound hole and fret markers. It has to be said that this guitar simply looks amazing and could be one of the nicest we've ever seen!The approach is quite simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. 

FL2 EC BB The Bunya top on the Cole Clark FL2EC-BB is sustainable sourced in Australia, it can cope with climate extremes better than the softer timbers guitars are usually made of such as spruce. The combination of Bunya top and Blackwood body results in a clear guitar which sounds exceptionally good when amplified. Speaking of which, new for 2022 we have the PG3 pickup system.The approach is simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".

FL2 EC BLBL Australian Blackwood is such a good looking timber! Then when you combine this to the detailed sound of the Cole Clark FL2 EC BLBL you get an awesome overall package. Australian Blackwood resembles to Koa and much like the latter, Blackwood tends to start it's life bright sounding but the more you play it the more defined the mid and low ranges will become. The presence of this guitar is simply beautiful, it is great for percussive style and fingerpicking, you and your audience will hear every detail in your music. Speaking of audience we have Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".

TL2 EC BLBL A Thin Line acoustic should sound so much less resonant than its contemporaries, in fact it has its own unique resonance which is very pleasant to hear .What's more, the Australian Blackwood is such a good looking timber! The tones are such that you and your audience will hear every detail in your music. Speaking of audience we have Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".

Tasmanian Blackwood and Australian Bunya. The Bunya top on the Cole Clark FL2EC-BB is a sustainable Australian one, it can handle climate extremes better than the softer timbers guitars are usually made of. The combination of Bunya top and Tasmanian Blackwood body results in a clear guitar which sounds exceptionally good when amplified. That is why it is so great that this model comes with Cole Clark's Analogue 3-way system which is magnificent.

An open and bright dreadnought guitar. To us it is no surprise that the Cole Clark FL1-BM is a best seller. The Fat Lady 1 guitars prove sustainable woods can be used to create beautiful instruments, the solid bunya top and maple sides gives us a bright and open sound with the great attack and healthy low to low-mid range making it a great sounding guitar fitting plenty of playing styles. At its price mark, this guitar definitely delivers a lot and as soon as you listen to the demos, if you haven't done so already, you'll understand why so many musicians choose the Cole Clark FL1-BM as their main guitar.

Tasmanian Blackwood and Australian Bunya. The Bunya top on the Cole Clark FL3EC-BB is made of sustainable Australian woods. Able to handle climate extremes better than the softer timbers guitars are usually made of this guitar is an ideal travel companion. Upgrades from the FL2 range include abalone inlays around the sound hole, as fret markers and subtly on the leg & arm reliefs. This is all done so tastefully to add to the guitar without taking away the seriousness of a truly high end guitar. The combination of Bunya top and Tasmanian Blackwood body results in a clear guitar which sounds exceptionally good when amplified. That is why it is so great that this model comes with Cole Clark's Analogue 3-way system which is complimented by everyone who plays them. The Cole Clark FL3EC-BB is a touring guitar which looks as beautiful as it sounds.

Little and loud The Little Lady 2 has a small but deep body which maintains some of the lows expected in larger bodies. Using only sustainable woods which maintain the tones we desire while staying environmentally friendly, Cole Clark guitars tick all boxes. Australian Blackwood resembles Koa and much like the Koa, Blackwood tends to start it's life bright sounding but the more you play it, the more defined mid and low ranges begin to surface.The LL2 E BLBL  is equipped with Cole Clark's new PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. Additionally the FC button allows players to switch between the previous iteration of the system or to take advantage of the PG3's upgrades.

FL2 EC SSO Silver (Silky) Oak isn't actually an Oak, in facts it's closer to the sycamore family. Don't let the colour lure you into thinking this is a cold sounding guitar however as the AA Silky Oak has excellent bass/mid/treble balance and a very transparent midrange register.  The overall sound seems to have a less aggressive edge with a few more delicate nuances than normally used woods and suits the dreadnaught body perfectly.The FL2 EC SSO features Cole Clarks PG3 pick up system which is new for 2020.Different types of acoustic pick up systems have specific strengths and weaknesses, Cole Clark uses 3 different types and only relies on the strengths of each. The player can fine tune all of this from the simple to use control panel to suit the room they’re playing in. Additionally the FC button allows players to switch between the previous iteration of the system or to take advantage of the PG3's upgrades. Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing" its possible to get the perfect tones on and off stage!

TL2 EC BLBL HUM A Thin Line acoustic should sound so much less resonant than its contemporaries, in fact it has its own unique resonance which is very pleasant to hear .What's more, the Australian Blackwood is such a good looking timber! All of this is great but none are the main reasons you're looking at this guitar as the stand out component here is the humbucker sitting just before the bridge.This dual output guitar allows you to use one guitar for your gigs, swapping between the beautiful humbucker electric guitar tones and the new for 2022 PG3 pick up system. Placed nearer the bridge it provides the best With the PG3 system the approach is simple, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".This is an acoustic guitar in nature but so much more in real life use!

FL2 E 12 BLBL Australian Blackwood is such a good looking timber! Then when you combine this to the 12 string delight the FL2 E 12 BLBL is to hear.  Australian Blackwood resembles to Koa and much like the latter, Blackwood tends to start it's life bright sounding but the more you play it the more defined the mid and low ranges will become.This guitar is simply beautiful, it's great for percussive style and fingerpicking, you and the audience will hear every detail in your music. Speaking of audience we have Cole Clark's new for 2022, PG3 pick up system. The issue with most acoustic guitar pick ups is they sound little to nothing like the original tone of the guitar itself, this is what Cole Clark aims to fix with the PG3.The approach is simple, Cole Clark uses 3 different types and only relies on the strengths of each.Using a Face Sensor for the mid range, an under bridge Piezo for the low end and an in body condenser microphone to capture the highs, therefore removing the familiar Piezo "zing".

The beauty of sustainable timbers. Cole Clark's CCAN2EC-BB is made of 100% sustainable timbers that replace other common endangered timbers used in the guitar industry. The Bunya & Blackwood combination has a lively sound with mid-fast attack, it is pretty responsive. The Angel 2 BB comes with a cutaway and the infamous Cole Clark 3-way pickup system which is truly a great amplification system for the stage. One thing we noticed immediately is how light the guitar is, making it a perfect standing guitar.

As clear as it gets. From the first chord on, the Cole Clark AN2EC-RDBL proved itself to be a clear and open sounding guitar. The all solid Tasmanian Blackwood back&sides and American Redwood top combination is not only beautiful but also delivers a well defined and accurate tone. The Angel body size is essentially a grand auditorium size and fits for any kind of playing style really. The 1.73" / 44mm nut is comfortable for both open chords and more complicated chord arrangements. Important to mention that Cole Clark recommends not to play percussive pieces on the AN2EC-RDBL due to the sensitivity of the top. For the pickup players in the crowd, this model comes with Cole Clark's Analogue 3-way system so you are all set to take the stage and enjoy a superb amplified sound.

An all Australian Blackwood stunner. Damn Australian Blackwood is a good looking timber! And when you combine this with the detailed sound of the Cole Clark FL2EC-BLBL you get an awesome looking and sounding guitar. Australian Blackwood resembles to Koa and much like the latter, Blackwood tends to start it's life bright sounding but the more you play it the more defined the mid and low ranges will become. The presence of this guitar is simply beautiful, it is great for percussive style and fingerpicking, you and your audience will hear every detail in your music. Speaking of audience, the FL2EC-BLBL is equipped with Cole Clark's 3-way pickup system, so on stage or in studio, you are guaranteed to have quality amplified sound.

An open and bright dreadnought guitar with a superb pickup system. To us it is no surprise that the Cole Clark FL1EC-BM is a best seller. The bright and open sound, the great attack and healthy low to low-mid range make it a good sounding guitar which fits plenty of playing styles. Now add to this the all solid woods and the infamous Cole Clark 3-way analogue pickup system and there you have it. Touching the 2000$, it is not a cheap guitar, but definitely delivers a lot for it's price and as soon as you listen to the demos, if you haven't done so already, you'll understand why so many musicians choose the Cole Clark FL1EC-BM as their main guitar.

Clear, Open, Beautiful. From the first chord on, the Cole Clark AN3EC-RDBL proved itself to be a clear and open sounding guitar. The all solid Tasmanian Blackwood back & sides with the American Redwood top combination is not only beautiful but also delivers a well defined and accurate tone. Adding to the beauty the AN3 range wears some extra special visual adornments as subtly placed abalone inlays make this guitar stand out among its contemporaries. The Angel body size is essentially a grand auditorium size and therefore fits any kind of playing style. The 1.73" / 44mm nut is comfortable for both open chords and more complicated chord arrangements. Important to mention that Cole Clark recommends not to play percussive pieces on the AN2EC-RDBL due to the sensitivity of the top. For the pickup players in the crowd, this model comes with Cole Clark's Analogue 3-way system so you are all set to take the stage and enjoy a superb amplified sound.