EBS
After creating such a name for themselves in the bass world, EBS decided it's time to use their vast knowledge and experience for the sake of guitar players too. The truth is, that guitar players used EBS's bass pedals in their rig cause they're simply great. Gladly, now they can enjoy "all electric guitar" pedals with EBS's 'Red Label Pedals' series which contains three well thought-through guitar pedal effects including reverb, flange/chorus and compressor.
The right one. That is what Jeff Berlin felt when he first tried the EBS UniChorus Studio Edition pedal effect. This new edition of the original UniChorus sports a superb analog signal path which gives smooth and warm tone, switch from bypass to engaged and hear it for yourself. Use the Mode switch to select between Flanger, Chorus or Pitch Modulation modes. If you feel you need less or more of the wet signal, use the Mix internal control. Since 1977 the UniChorus is on boards of bass players, this Studio Edition version keeps the high quality expected from EBS and that unmistakable chorus sound we all like.
8 Different reverb types in a simple layout. At first look you might miss it, but the EBS Dynaverb Studio Edition offers no less than 8 reverb types. The three main types are Room, Plate and Hall. The two first ones have three different sub types will the Hall has two. The crazy thing is, that this pedal is housed in a standard casing so you can have it on your board without worrying about space. The EBS Dynaverb is a great reverb in our opinion, we like how well it sounds, how simple it is to operate and the fact you can run it parallel for studio use.
This Is not an EQWhat is it about Envelope Filters that gets our toes tapping and our heads nodding. Sure the playing is often funky but the filters just add that fun factor making even the saddest lyrics light hearted.This is the updated version of the classic Bass IQ, adding to the original threshold, attack and mode switch we now also have filter type and a Q control.The filter switch allows us to choose between Full Range, Band Pass and Low Pass filter types and the Q control allows players to make the effect more or less prominent.This pedal is now capable of everything from auto wah through to sweeping synth tones and everything in between.
High performance, analog compressor with either solid state, tube simulation or multi-band compression. The MultiComp Guitar Edition can make a good sounding guitar sound even better. Once youâve tried it, youâll never want to play without it! The EBS MultiComp Guitar Edition is optimized for use with guitar, and strikes the perfect balance of being super user friendly and offering super sonic qualities.Less is more. The MultiComp may be the easiest compressor around to dial in. Since it is so smooth and well though through, all you need is to set the level of Comp/Limit with one knob, Gain with another, and then choose the type or mode of compression between Tubeism, Multi Band (MB) and Normal. Done! For those that need more, there is an Active/Passive switch on the side as well as an internal trim pot for the Threshold located under the hood.Blue Label Pedals. The MultiComp Guitar Edition is one of the three first launched pedals in EBS new Blue Label Pedals for Bass. They all come with the heritage from EBS famed Black Label Pedals for bass, that have been used by world-famous guitarists for years. With the Red Label Pedals, all the details have been adjusted for optimal performance with guitar, with the input from some of the most busy Swedish session guitarists and the staff from the famous TGT11.se pedal specialists store in Stockholm, Sweden.
"Compression, distortion, tone-shaping and blending all together..." The EBS Billy Sheehan Ultimate Signature Drive is the result of a cooperation between bass icon Billy Sheehan and Sweden's renowned pedals and amplification maker EBS. The goal was clear from the get go, to recreate Billy's beloved Rig sound in a pedalboard friendly size. The Ultimate Signature Drive splits the signal to two parallel paths - a clean one and a distorted one - each controlled separately. The bass player has complete freedom as to how much clean or dirty tone should be in the mix and not only that, he or she can add compression, Hi-Lo filter, boost and phase invert to the signal. These features along with the mega cool, path dedicated effects loop, make the EBS Billy Sheehan Ultimate Signature Drive a true Swiss Army Knife for the working bass player.
A great overall drive for your bass. The EBS MultiDrive has such a simple layout it makes you wonder if it can deliver more than just a few sound options. Well, it can and it does. The 3 channels offered (Tubeism, Flat and Normal) are very different one from another. Combined with the wide range Drive control, you really do get a lot of sound possibilities. The MultiDrive has been in production since 2001. The version here is post 2015 one. It has a bigger headroom, more sensitivity and dynamics than the first version. EBS improved the complete signal path on this version of the MultiDrive, making it better than ever.
Distortion with full bottom! EBS MetalDrive Studio Edition delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handle drop tuned guitars, 7-, and 8-string guitars without choking.
Added Tone This is the latest imagining of the EBS Octabass, with the aim to provide Bass players with an authentic sounding 1 octave down.Octavers tend to track better when playing further up the neck but the new Octabass has a range switch so if you like to play nearer the headstock you simply flick it to Low and the tracking will be perfect. The star of the show here is the add tone control which allows you to have crisp clear octave tones at one end and a discrete Sub Bass backdrop at the other, this makes the Octabass useful to more players than ever before.
More is more. As the name suggests, the EBS Drive Me Crazy pedal delivers a lot of gain! It will twist your clean tone, saturate it and if you need, you can push it even more. The Drive Me Crazy pedal was designed by EBS in collaboration with several Swedish top session musicians, this pedal works great with electric and bass guitars. The Thin-Deep voicing switch really comes handy depends on the pickups you use and the simple UI of the pedal leaves no place to doubt, we like that.
Dual drive engines for great sustain. The EBS Black Haze is a nice little analog gain pedal for bass and guitar which, in our opinion, is worth your consideration. Thanks to its dual drive engine circuit, the Black Haze delivers a good amount of gain, sustain and harmony without hurting the low end of your tone. Use the 3 way switch to select the sound character you prefer. Thin will get you a more pronounced tone while Deep will darken your sound. The Black Haze is a new kind of a gain pedal for EBS, therefore we recommend comparing it head to head on the TonePedia player with the EBS Metal Drive or Multi Drive to understand its nuances better.
When you want to slightly saturate your tone. The EBS The Drive was released as a guitar pedal, but soon enough bass players realised it works so great for bass guitars too. Maybe it is simply in EBS's blood to make great bass pedals. The Drive is a light weight overdrive that can be used to boost and liven up your tone, or slightly saturate it. It is an easy to use pedal which can be set and forget for an entire session, works great with solid and tube amplifiers and compliments the overall tone of your bass or guitar.